To Cage a Wild Bird (Deluxe Limited Edition): A Shaky Start To A Suspenseful Prison Break

Author: Brooke Fast

Genre: Adult fiction, dystopian fiction, romance, queer themes, BIPOC rep

Publisher: Avon and Harper Voyager

Format: Ebook (NetGalley Copy)

Release Date: March 3rd, 2026

TW:  murder, sexual assault, surveillance, death, harm to children, death of children (on page, but not dwelled on), starvation, state oppression, ambush beat downs, attempted rape, incarceration, police/guard brutality

Despite some clunky exposition and shallow worldbuilding at the beginning of the novel, I enjoyed this story. Beware of spoilers, as the romance is prominent here, and the best parts of this book are in Endlock. Check out my final rating below!

But first, the plot: Raven Thorne is a bounty hunter in the city of Dividium, where she is paid to turn in criminals to be locked up in Dividium's prison, Endlock. Endlock is a hunting ground-rich citizens of the city can pay to hunt prisoners and keep their body parts as trophies. (There is a whole industry of taking the teeth from these prisoners and fashioning them into jewelry.) When Raven's brother Jed gets thrown into the prison for punching one of the city's councilors, she resolve to get him out by any means necessary. To that end, she goes to The Collective, a resistance group her parents were a part of. They give her a mission: break a prisoner out of Endlock and the siblings will go with them to the neutral Northern Settlement, away from Dividium. However, a prison guard named Vale takes an interest in Raven. Will this blow her cover? Why does she feel attracted to him? Will Ravenm will be able to survive Endlock? 

The characters carry this book. Raven was actually a delight, as she reckons with what she did before coming to Endlock, and learns how to open up in turn. I do appreciate that she is haunted by  the people she sent to this terrible place. I appreciate that everyone was standoffish with her or even hate her at the beginning. I also appreciate that Raven doesn't feel like she deserves good things for a while.   

I was also here for the side characters. Jed, August and Kit and Yara and Momo make a perfect found family. I like that they are more of a significant part of the book that you would expect, as they keep Raven sane in this prison. I also appreciate the diverse representation of this friend-group, as Kit and Yara are a couple together (and have to deal with realistic expectations and trials of being in a prison) and all of them with the exception of Jed seem to be people of color. I also appreciate that everyone gets a few scenes where their characters shine, and you can tell they have their own lives and dreams outside of the prison. Jed and Raven's bond is very sibling realistic, and I also appreciate that. This makes a later gut punch all the more impactful, which made me cry.  

I really appreciate how the romance was done here. Thank fuck this wasn't oppressor/oppressed. (I genuinely hate that trope so much, as it's a terrible outgrowth of 'I can fix him'.) Vale is on side, even if it doesn't seem like it at first.(if a reader He and Raven do have chemistry, which deepens when she is in close proximity with him. (He also does say 'Who did this to you?" but doesn't fly off the handle at the culprit, or get extremely angry, which I appreciate.)

Speaking of 'close proximity', there are explicit sex scenes in this book, that a         re woman centered. I appreciate that Vale knows where the clit is, acknowledges the power dynamic between them, and is actively looking for consent. Raven is an active participant in her own  pleasure which I also appreciate. As an Ace person, I appreciate that, as the scenes were well written and also tense, as they could be caught at any moment by the other guards of Endlock. (The PIV scenes were fine as well, but as an Ace person, I once again, skimmed over them, but they're competently written fro what they are.)

With all of this good, there is also bad. First, the setting. Dividium as a place is incredibly generic. There are three levels that are 'divided' (Upper, Middle and Lower) and they are going through a famine, which fuels the prison dynamics of Endlock. This setting is only really distinguished by the 'trophy hunting', which makes the setting outside of Endlock feel sketchy. Even Endlock reminds me of the Hunger Games, down to the traps placed later in the book. This will not be a dealbreaker for a lot of readers but I couldn't stop making comparisons in my head. (This in turn made me worry that this was a Young Adult book, which considering the level of erotic and explicit scenes, it shouldn't be.)

Second, the expository prose at the beginning of the book almost made me stop reading. Raven starts the  book pursuing a criminal, and what should be a thrilling chase scene gets stopped dead by expository prose barely related to the task at hand. This stops after the first 20 or so pages, but it was so jarring that it took me out of the story very quickly. 

However, I am glad I stuck through it. Mind the trigger warnings, and if you could get through a really clunky first chapter, you will enjoy this book. I will be looking for a sequel, and hoping the author writes one.  

Thanks to Avon and Harper Voyager and Netgalley for the ARC! 

Final Rating: 3.75 (rounded up to 4) out of 5 stars 

Drink Paring:  Dark roast da hong pao in a dark room

The Whitechapel Full Moon Society: A Refreshing Take on Jack the Ripper

 

Author: Elizabeth DeLozier

Genre: Historical fiction, gothic fiction, adult fiction, mystery, true crime, supernatural fiction 

Publisher: Dutton 

Format: Ebook (NetGalley Copy)

Release Date: August 25th, 2026

TW:  Murder, sexual assault, attempted rape, mutilation, drug use (administered and unwitting) slight period typical homophobia, period typical misogyny, slight period typical racism

The Whitechapel Full Moon Society was a gripping, suspenseful and heartfelt read. 

But first, the plot: Caroline Foster is a noble down on her luck. In a bid to escape the crushing poverty brought on by her father's gambling debts, she goes to London to find her missing brother, Charlie. However, when she arrives at the Whitechapel Full Moon Society, she is told that her brother hasn't been there for months, and they almost close the door in her face. Desperate, VCaroline says that she's looking for a position as a maid, which the Society desperately needs. She is reluctantly hired, as the last maid was killed by none other than Jack the Ripper. As Caroline settles into life at the Society, caring for it's diverse and strange guests, she is given three rules: don't go to the iron barred door on the second floor, don't ask personal questions and remain in her room during the full moon. Will Caroline be able to find her brother? What is the Society hiding? Where will the Ripper strike again?

The characters were a huge part of this novel, and they did their job well. I loved Caroline in particular; her love for her brother is realistic and heart-wrenching, and she has a tenacity that resonated, especially at the beginning of the novel when her desperation was palatable. However, her extreme devotion to her brother might turn some readers off, as he is never far from her thoughts, and that may get repetitive. In addition to this, she is a character with flaws, and exhibits homophobia and racism towards the Society's guests. However, she does grow out of this, and by the end, I was fully rooting for her character. Just be warned it takes a bit for her to get there. 

The side characters (namely, Charlie, the boarders, (including Rab her love interest) and the proprietress of the boardinghouse are either vivid (in the case of Rab and the manager of the boardinghouse) or at least serviceable (like with most of the lodgers.) I wish the lodgers were more fleshed out, but a few of them do get scenes where they shine, and they are all men with him I'd love to learn more about. This also extends to their big secret, which I won't elaborate upon for spoiler reasons, but I wish we spent a bit more time with it. I appreciate the representation (of both PoC and differing religious practices) and it was done in a 'realistic' way if that is a deal breaker. The same goes for the queer rep, but due to spoiler reasons, I will not elaborate. 

The setting of this novel was done well too. I really felt the grime and pollution of industrial London, along with the unexpected patches of beauty in the darkness. However, as the book mostly takes place in Whitechapel and another poorer district of London, it feels a bit claustrophobic. It also means that there is a level of convenience and coincidence that shouldn't happen in a large city but that is mostly forgivable. 

The mystery was compelling as well, if a bit obvious once mulled over. However, the book has a few red herrings that did trick me, so that was appreciated. The real life victims of Jack the Ripper were treated with respect which I appreciate as well. I usually stay away from true crime stories because of a glorification of the killer, but I'm glad the author was more tasteful than most. 

All in all, I really did enjoy this book, even if certain parts left me wanting more. 

Thanks to NetGalley and Dutton for the ARC!  

Final Rating: 4 out of 5 stars 

Drink Paring: Camomile tea to calm the wolf inside

 

The Fox Hunt: Dark Acdemia into Fantastic Fey Fantasy

 

Author: Caitlin Breeze

Genre: Adult fantasy, urban Fantasy (faeries), dark academia (in the first half), romantic but not romantasy, queer themes but not queer lit

Publisher: Little, Brown and Company

Format: Ebook (NetGalley Copy)

Release Date: February 24th, 2026

TW: Misogyny, murder (attempted and followed through), imprisonment, near drowning, sexual assualt

So, this book took a genre that I usually bounce off of (dark academia) and turned it into a fey-wild romp in an intricate and magical world. Along with sacred cannibalism and queer themes, I love anything and everything to do with the fae.  As such, I loved this book. 

But first, the plot: Emma Curran is a scholarship student studying at the University, the most prestigious university in the UK (and possibly the world).  Born to a renowned biologist mother and a deadbeat father, Emma is more at home in the University's rivers and streams among the animals than in the University's oak paneled halls. However, when Emma wins a full scholastic prize to continue her research, she's thrust into the glittering underbelly of the University's most secret society, the all-male Turnbulls, and their leader, the beautiful Jasper Balfour. The Turnbulls host wild parties and one night suggest something: a fox hunt. The girls will be the foxes and the boys, the hunters. To escape these murderous boys, Emma begs the City beneath and between the University to save her. With that boon a bargain is struck, and the Night City will claim it's due. Can  Emma fulfill her debt? Can she take revenge on the Turnbulls? Will she ever be human again?

This book hooked me immediately. That began with the characters.Emma is an interesting main character; passive and a bit out of her depth at first, she grows into a capable and knowing character near the end of the book. Her best friend, Nathaniel (or Nat), is wonderful and even though he was decidedly a side character, I was very happy whenever he showed up. I appreciated that he was also a British person of color, and that there was mention of his trying to rediscover hisUgandan heritage and how that clashed with his father's full assimilation. The other characters in the first half of the novel were nice as well, but they are a bit thin. I loved the fey characters (special shout out to Robin), but due to spoilers, I won't speak more about the, except to say that they are mostly portrayed as the fey should be, delightful and delighted but also dangerous, cunning, and inhuman (sorry ACOTAR fans). I like it when the fae are odd, and cunning and a bit cruel, always using wordplay to get more out of a bargain than the human petitioner. There is also queerness in this novel (Nat is gay and Emma is bisexual) and I loved the representation. It felt natural.

Note, this isn't a romantasy, but there are romantic scenes here. However, I do not think they are  particularly sexual, usually stopping on a kiss or cutting to black if the characters have sex. As an ace person, I found this fine. However, there is non explicit  sexual assault, and the use of a date rape drug by a minor character to another character. 

I loved the Night City as a setting and it's class dynamics that mirror the class dynamics at the University in the first half of the book. I like the undercurrent of desperation that the City has, where it feels like the upper class is partying while the City crumbles. The setting is rich, but also has room to be added to, especially after the end of the novel. The university was a bit more sketched in, but the Library was incredible, so that brief sketch in is definitely forgivable. The third person pov and vivid language really do help to smooth over any wrinkles in the current story. Although, I hope that in a (hopeful) eventual sequel, these holes will be filled in so to speak.

Now, with mention of the first and second halves of the book, I must give a warning here. This is not your typical dark academia book. After the titular Fox Hunt, the novel turns into a full blown urban fae fantasy. I love the fae, so I was fully on board for this change, but if you're looking for a full dark academia, you might not enjoy the switch. However, these two genres are woven together well, and if you like both genres (like I do) you'll love this book. Give it a try, and you'll dream of dark University's and fae bargains for weeks. I eagerly anticipate a sequel.

Final Rating: 4.75 out of 5 (rounded up to 5) stars 

Drink Paring: Tongmu light smoke lapsang tea for the dark City and its attending university

Hello, Limerence: An Explicit, Beautiful Trainwreck

 

Author: Momo Yamaguchi

Genre: Humor and satire, queer fiction, POC Literature, romance (?), Japanese literature, adult fiction

Publisher: Mariner Books

Format: Ebook (NetGalley Copy)

Release Date: August 18th, 2026 

TW: violent fantasies (including murder, and shoving things up orifices) sexual assault, rape, death of a family member, isolation (pandemic related), homophobia (slight)

When the blurb compared this to Fleabag, they weren't kidding.  A ridiculous and relatable romp, Hello Limerence isn't for everyone, but for the ones who click with it, they'll love it. 

But first, the plot:  Mika is a 25 year old salarywoman in Tokyo Japan.Stuck in a dead end job, she seeks escape in romance and sex, desperate to lose her virginity. When she meets Tyler, a Japanese American expat, and another man, she does proceed to lose her virginity, but that isn't enough. Obsessed, or experiencing limerence if you prefer, she spirals when Tyler doesn't reciprocate her feelings. Together with her best friend Mika, she tries to navigate her 20's in modern Tokyo, even through a pandemic and a really shitty boss, which she murders in elaborate fantasies. Can Mika find true love, or will she be in limerence for the rest of her life?

The best part of the book was main character, Mika. She is an incredibly relatable 20 something, self-obsessed and chronically online, trying to find herself in our world. This novel is written in first person POV, so readers are in her head the entire time, and are privy to her wild and vivid revenge fantasies, and every sordid detail of her lust driven insanity. As a former 25 something, she's painfully realistic, including the chronically online obsession with social media and her need to find her true self. I also appreciate her perspective as a Japanese woman and her critiques of Western imperialism and her own culture. She's a mess, but a mess with potential past the solipsism.  (I also resonated hard with her jobless status later in the novel.) I love the messy queer representation as well; but to go into that would be spoilers, so I will not. 

I also like the tone. Mika's perspective is a roller coaster ride, one minute she'll be calling herself a 'loyal ho,' and the next minute she'll be mourning the death of a family member. Her sardonic tone can be a bit much sometimes, but I enjoyed it. I especially loved the fantasies, which were patenly hilariious and insane. 

The setting is a bit less vivid; I never forgot that we were in Tokyo but a large chunk of the later  parts of the book takes place in her apartment because of a (satirical) COVID-like pandemic. I wish that the setting was fleshed out more, but I understand why it wasn't. 

Hello, Limerence is a graphic and raunchy read, which isn't for everyone. Be prepared to read about close examinations of the body, and also to read gory fantasies against misogynists. However, if you can move past these roadblocks you will get a raw character portrait of a complex and morally grey character. 

Final rating: 3.5 out of 5 stars (rounded up to 4)  

Drink paring: Darjeeling, for the darkness and floral bite 

 

A Fate Worse Than Drowning: A Tight, Terrific Novel

 

Author: A Fate Worse Than Drowning

Genre: Horror, Historical Fiction, Queer Fiction, Gothic Horror

Publisher: Poisoned Pen Press

Format: Ebook (NetGalley Copy)

Release Date: July 21st, 2026

TW: torture (on page), sexual assault (on page), murder (on page), misogyny (both period typical and modern), death, spousal abuse, gore, mention of slavery (allusion to)

Give me a book with either: sacred cannibalism, deals/living with an extra-planar entity, tea and queerness. This book has two of the three, and I predictably wanted to drown in this book. What a gripping reading experience.

But first, the plot. in 1809, Elle (Mary Eleanor) and her sister Liney (Caroline) live alone on a desolate bit of land called the Devil's Island, in the Halifax harbor. New arrivals, they've run from two dead parents and a man who is after their fortune. On the island, after killing the previous lighthouse keeper, Elle tends to the lighthouse, which guides sailors away from their watery graves. Or, at least that's what she tells her sister she's doing. In reality, instead of saving sailors, Elle is tasked with using the demonic powers given to her from a deal with the devil to sacrifice souls. Which, is rather easy, when there are choppy seas and deep caverns. Elle must do this, to keep her sister and herself safe, or the devil may come after her sister next. Liney dreams of a wider world. Sickly her whole life from childhood asthma, she sits caged; first with her family (forced to marry a man when she loves women), and then with her beloved sister. Elle will do anything to protect her, except let her go. The fragile peace of this island is interrupted when the devil demands an increase in souls, and a beautiful woman washes up on shore. Now, will Elle sacrifice this girl, and take away the only person that Liney truly loves? 

The characters are one thing that made this story for me. Elle and Liney are such realistic siblings, and their bond is a major motivator and draw. I believed that they were siblings. You also get to see both of their POVs, as this book is first person with dual perspectives, and their personalities really shine through. Elle is intense and driven, but also suffocating, whereas Liney is at first, relatively passive, but extremely curious and capable when she allows herself to be. I also love the side characters; Douglas and Bridget especially, but due to spoiler reasons, I'll not mention them further.

The characters are amazing, but what really made this book for me was it's tight prose and plotting. Every twist and caveat was foreshadowed, and make me go 'oh, that's clever' multiple times. Expository dialog and prose was natural and easy to read. The prose is also vivid enough, especially with sensory descriptions, that I could taste things like the hibiscus tea and smell the dying fish. I also appreciate American slavery being mentioned as a terrible force of supernatural evil, but I wish there was POC rep; but I understand why there wasn't.

There is a romance in this book, but the scenes stop at kissing and fade to black; the romantic relationships add to the story and the characters, but romance isn't the end all be all. This book is about queerness and sisterly love and the urge to destroy those who've wronged you; about the seductive temptation of power and the suffering it brings. Mind the trigger warnings; and you'll have a wonderful read with a bittersweet ending. 

Thanks to NetGalley and the publisher for the ARC!

Final Rating: 5 out of 5 stars

Drink Paring: Dark heavy roasted da hong pao for the dark seas, or hibiscus tea for deals with the devil

The Secret Courtesan: A Basic But Fun Feminist Tale

 

 

 

 

Author: Kerry Chaput

Genre: Fiction, historical fiction, feminist literature, magical realism (slight) romance elements

Publisher: She Writes Press

Format: Ebook (NetGalley Copy)

Release Date: February 10th, 2026

TW: torture (on page), sexual assault (attempted and on page), murder (on page), misogyny (both period typical and modern), death, stalking/surveliance

The Secret Courtesan was above all else, a timely but still fun read. 

But first the plot: Mia Harding, an Art historian, is having an ethical crisis. She's been told to authenticate a statue dredged from the depths of a Venetian canal, or face career destruction. The sculpture is of a woman in climax, and as the foremost expert in  Italian women's history in art , this should be a simple affair. Say that this male artist, was the author of the sculpture, and be set for life. However, Mia is sure that there's something about this statue that would rock the art world, and refuses. However, this is only half of the story. 

The second POV of this book concerns Sofia, a Venetian courtesan in the Renaissance with an artist's talent and soul. When Sofia's  patron sells her contract, she has to rekindle a man's darkness, and make him paint. Will she be able to stay true to her own soul?

I am of two minds about this book. Mia's story wasn't really impactful. I suppose that is because she did a really dumb thing that seems to be the only reason why she's truly scared of her boss. Her character felt real in that she experienced all too real sexism, but that's all that she left me with. Her romance with her male colleague, a history professor who desperately wanted to hear her out, left me similarly cold. Also, the ending to her story felt too convenient near the end, even if the ending was neat enough. 

I was here for Sofia's story. Venice as it was in the 1600's was fascinating and was described with suck vivid colour by our courtesan artist. Her story felt so much more real, and visceral. I felt her sadness and rage at not being able to practice her art. I felt the weight of those beautiful gowns trapping her. I read this for her story, and was glad to do so. She stuck with me whereas Mia's character fell flat. 

All in all, this novel was worth the read, especially if you like  historical fiction. Just be mindful that a portion of the book might not be to everyone's tastes.

 Thank you to NetGalley and She Writes Press for the ARC! 

Final Rating: 3.5 stars (rounded to 4) 

Drink Paring: Qimen black tea for the dark Venice canals 

Hemlock: Wild Women and Family Trauma

 

Author:  Melissa Faliveno

Genre: LGBTQ+, Fantasy, Adult, Horror, Fiction, Gothic Horror

Publisher: Little, Brown and Company

Format: Ebook (NetGalley Copy)

Release Date: January 20, 2026

TW: Animal death (on page), suicidal ideation (on page) cheating, homophobia, alcoholism, gore (on page), addiction (alcoholism), discussions of religion that may be triggering

I was very affected by this book, and it will stick with me for a long time. (And there's more devouring, yay!)

But first, the plot: Sam, recently unemployed and living in NYC, is trying to start the next chapter of her life. Recently sober, she returns to Hemlock, her family's cabin in the wilds of northern Illinois. She is determined to fix it up, sell it and give the money to her father, and move on. She hasn't been back since her mother disappeared, and that unresolved trauma isn't the only thing that's followed her to these woods. Will she be swallowed by her addictions? Or perhaps turn into something else, something more monstrous?

The prose was the standout of the book. However, the characters were almost as strong, and I am so glad I got to follow them throughout this journey. Sam is a broken, complex, morally grey woman. She is also an unreliable narrator; which heightens the tightrope tension of her growth. I love how distinctive her voice is, even through third person limited. Sam is a character you can see in front of you, a real person with flaws and darker parts of her personality.There were a few times during the novel that I was screaming at her to try something different, or for her not to do what she was doing. Her family were unspoken characters, notable in their absence, and that reflected on Sam too. 

I enjoyed and appreciated the realistic queer and indigenous rep (although as I am a white cis woman, I encourage you to read critiques from reviewers of those groups). The queerness also extends into the sex scene that happens later in the book, which was unsettling to read but also good to read, for me. This is not a romance; this scene is pivotal but not in a romance way. The scene and Sam's nonbinary-ness do play a huge part in the book's themes, and it well woven into everything else. 

The supporting characters were great too, with particular mention towards Lou Ann and Stephen, but for spoiler reasons, I wont go into them.

The imagery of the novel is the true standout. The language really sold the isolation and darkness (both metaphorical and physical) of the Northwoods. When the imagery turned into darkness and horror, it was a natural thing, like the sun setting. There are certain scenes that will stick with me forever because of that. (The truck scene in particular)

Mind the trigger warnings, please. But if you're looking for a harrowing meditation on addiction, religion, family and queerness set in the middle of nowhere, with scenes that stick, this book is for you. It definitely was for me. 

Thank you to NetGalley and Little, Brown and Company for the ARC!  

Final Score: 4 of 5 stars

Drink Paring: Green hojicha, for the leaves of the forest, and a slight dark smokiness